{"product_id":"ekkerhard-ehlers-plays-new-vinyl","title":"Ekkehard Ehlers - Plays (New Vinyl)","description":"\u003cb data-mce-fragment=\"1\"\u003eEkkehard Ehlers\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e's seminal plays series was originally released on three 12\"s (Staubgold) and two 7\"s (Bottrop-Boy) in very limited runs. The entire series was previously only available as a CD compilation. Keplar finally presents it on double vinyl for the first time, featuring a new artwork. Domestic ethnology: Ekkehard Ehlers plays. \"Play\" is a word in English with many meanings attached. Each one sends you down a different cognitive pathway. When Ekkehard Ehlers plays, he is very much on his own. Or, at least, alone but at the same time keeping intimate company with the artistic innovators named in his titles. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eRobert Johnson\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eJohn Cassavetes\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAlbert Ayler\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eCornelius Cardew\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e. \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eHubert Fichte\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e. Is he playing with them, against them, about them, for them, to them? This can never be known. It is certainly a mistake to try to hear the \"work\" of these originals in the sounds played by Ekkehard. They're not cover versions. They're hardly tributes in the conventional sense. Cassavetes and Fichte are not even musicians, although music played an important part in both their careers. Sure, there are little nods and flashes of recognition -- tiny guitar licks among the minimal beats of \"Robert Johnson 2\"; rich bowed instruments in \"Albert Ayler\", recalling the violin, cello and double bass arrangements on Ayler's 1967 \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eLive in Greenwich Village\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e LP; the elongated organ lines of \"Cornelius Cardew 1\" gesturing towards passages in Paragraph 1 of the British composer's 1971 Marxist monolith, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Great Learning\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e. Ekkehard is not so much playing these figures as allowing himself to be played by them. Playing as an activity also suggests freedom. Maybe the only thing all five named persons have in common is that they were all quiet radicals. In music, literature and cinema, they all stepped, without self-promotion or fanfare, into unmapped territories. Once there they found it necessary to invent new languages in order to survive. Necessity was the mother of their inventiveness. They were also uncomfortable avant-gardists. Lonely types, fighting their corners out on the margins, with little reward, often misunderstood, ridiculed or ignored. All died unfairly young. The deaths of Johnson, Ayler and Cardew have never been satisfactorily explained, and remain shrouded in myths and conspiracy theories. The pioneering expeditions of all five began in that spirit of playful freedom, but inexorably drew them towards the heart of darkness. Ekkehard Ehlers's intuitive electronic portraits are a form of domestic ethnology in themselves. Invoking another of Ekkehard's musical aliases, they are portraits of cultural \"autopoiesis\" -- creators whose works were strong enough to have their own self-regenerating life force. Featuring \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eStephan Mathieu\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eJoseph Suchy\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAnka Hirsch\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e. Mastered by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eRashad Becker\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e. Cut to vinyl by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eLupo\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, Berlin, 2022. Redesigned by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eSandra Kastl\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, 2022. Photos by \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eLudger Blanke\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e. Gatefold sleeve; includes download code; edition of 500.\u003c\/span\u003e","brand":"Markdown (Forced Exposure)","offers":[{"title":"Default Title","offer_id":45562393034983,"sku":"KEPLARREV 011LP","price":36.99,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0094\/8718\/8015\/products\/Ekkehard-Ehlers-Plays-New-Vinyl.jpg?v=1745578415","url":"https:\/\/www.sonicboommusic.com\/products\/ekkerhard-ehlers-plays-new-vinyl","provider":"Sonic Boom Records","version":"1.0","type":"link"}