Jet Black was recorded in Ottawa, Ontario with producer Dave
Draves (Kathleen Edwards), and features guest appearances from
long-time drummer and collaborator Greg Millson (Great Lake Swimmers),
Bryan Webb (Constantines), Elizabeth Powell (Land of Talk) and Katie
Sketch (The Organ). The eleven tracks are Reg's strongest and most
diverse collection to date. The first single, "You Can't Get It Back",
released on 7" in November, had the Toronto Star say "Once the
chorus kicks in, all bets are off" and URB declared the track an
"irresistible pop confection".February 2009 Archives
Jet Black was recorded in Ottawa, Ontario with producer Dave
Draves (Kathleen Edwards), and features guest appearances from
long-time drummer and collaborator Greg Millson (Great Lake Swimmers),
Bryan Webb (Constantines), Elizabeth Powell (Land of Talk) and Katie
Sketch (The Organ). The eleven tracks are Reg's strongest and most
diverse collection to date. The first single, "You Can't Get It Back",
released on 7" in November, had the Toronto Star say "Once the
chorus kicks in, all bets are off" and URB declared the track an
"irresistible pop confection".
Recorded primarily in Kingston, Jamaica where K'Naan was granted
unprecedented access by his friends Stephen and Damian Marley to their
father Bob Marley's original home studio at 56 Hope Road and the
legendary Tuff Gong studios Troubadour is a Hip Hop album like no
other. K'Naan successfully blends samples and live instrumentation for
a sound that's both rooted in traditional African melodies and the
classic Hip Hop tradition. Features Kirk Hammett of Metallica on the
song 'If Rap Gets Jealous'.
For the past year, Beirut has alternated between touring in support of
2007's much-lauded The Flying Club Cup and writing a wealth of new
material. With no sense of a release in mind, bandleader Zach Condon
recorded in any style that struck his fancy. Some early discussions
about recording material for a film being shot in Mexico morphed into a
new idea: What about finding a local band in a small city in Mexico,
hiring them to play some new material, and recording the result.
Pop sensation. Fashion designer. Political activist. Mouthy blogshite.
X-rated sexpert. Fall-down drunk. WAG-tagoniser. Queen of MySpace.
Exhibitionist. Primadonna. Style icon. Celebrity girlfriend. Celebrity
daughter. Paparazzi prey. Party starter. Princess. Lily Allen has been
called all these things, and much, much more - sometimes with
justification, often without. Coming off of the heels her critically
acclaimed certified gold debut Alright Still... selling in excess of
60,000 units in Canada, and struck hits with "Smile", "LDN" and
"Alfie". Lyrically, It's Not Me, It's You is both a continuation of the
preoccupations of "Alright, Still", as well as a stiletto-heeled leap
forward. The forensic, affecting, often very funny examinations of
relationships and sexual politics are still there - and joyously so -
but bigger themes are also tackled. It's Not Me, It's You is
unmistakably Her: bracing home truths and pungent social commentary
delivered in the voice of an angel. It's a potent combination. It could
only be Lily Allen - amazon
These are my neighbours. My wife and I have two little kids and live in
a multi-cultural neighbourhood in downtown Toronto. In the hot summer
months all the kids in the neighbourhood play outside together and
everyone is out on their porch enjoying each other's company, telling
stories and sharing thoughts. A year or so ago I began inviting some of
them over to the house for a casual interview vaguely centered around
the subject of happiness. In some cases we never broached the subject
directly but none-the-less my friends began to call it my "Happiness
Project".
With any luck, L'ile de Sept Villes
will rocket Canadian supergroup The Hylozoists to previously
unthinkable heights of popularity. Not because the album is amazing,
but because the band's grandiose, orchestrated indie rock instrumentals
would sound absolutely monumental late at night at some gigantic,
outdoor summer festival.
On his past three albums, Ben Kweller timidly hinted at his alt-country
side, but here he really lets his belt buckle show. The Texas native
trots through hymnlike hootenannies ("Fight") and honky-tonk ditties
heavy with slide guitar and choogling piano ("Old Hat"), and on the
decade-old "Ballad of Wendy Baker," he even tackles the death of a
high-school classmate. Changing Horses' Americana journey is
hardly inventive, but Kweller's boyish charm and quirky songwriting
keep it more promising than predictable. www.spin.com
